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In Sincerity and Authenticity (1972), the literary critic Lionel Trilling said that the question of authenticity of provenance had acquired a profoundly moral dimension, that regardless of the physical condition and appearance, or the quality of workmanship of an artwork, it is greatly important to know whether or not a Ming vase is authentic ...
It raises philosophical questions about narrative, empathy, and ethics through fictional characters. Philosophers like Plato critiqued literature's ethical influence, while modern thinkers explore language's role in bridging minds and the truth in fiction, differentiating between the reality of characters and their narratives.
In this book, Barad also argues that 'agential realism,' is useful to the analysis of literature, social inequalities, and many other things. This claim is based on the fact that Barad's agential realism is a way of understanding the politics, ethics, and agencies of any act of observation, and indeed any kind of knowledge practice.
It refers to new forms of contemporary art and theory that respond to modernism and postmodernism and integrate aspects of both together. Metamodernism reflects an oscillation between, or synthesis of, different "cultural logics" such as modern idealism and postmodern skepticism, modern sincerity and postmodern irony, and other seemingly ...
Absolute freedom is the vertiginous experience necessary for being authentic, yet such freedom can be so unpleasant as to impel people to choose an inauthentic life. As an aspect of authenticity, absolute freedom determines a person’s relation with the real world, a relation not based upon or determined by a system of values or an ideology ...
The originator of the term was the French art critic Jules-Antoine Castagnary, who in 1863 announced that: "The naturalist school declares that art is the expression of life under all phases and on all levels, and that its sole aim is to reproduce nature by carrying it to its maximum power and intensity: it is truth balanced with science".
The term canon derives from the Greek κανών (kanon), meaning "rule", and thence via Latin and Old French into English. [1] The concept in English usage is very broad: in a general sense it refers to being one (adjectival) or a group (noun) of official, authentic or approved rules or laws, particularly ecclesiastical; or group of official, authentic, or approved literary or artistic works ...
The Real is the intelligible form of the horizon of truth of the field-of-objects that has been disclosed. [4] [5] As the Real Order of the Borromean knot in Lacanianism, [6] it is opposed in the unconscious to the Imaginary, which encompasses fantasy, dreams and hallucinations.