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Claude Debussy and Maurice Ravel are two leading figures in Impressionism, though Debussy rejected this label (in a 1908 letter he wrote "imbeciles call [what I am trying to write in Images] 'impressionism', a term employed with the utmost inaccuracy, especially by art critics who use it as a label to stick on Turner, the finest creator of mystery in the whole of art!") and Ravel displayed ...
Oscar-Claude Monet (UK: / ˈ m ɒ n eɪ /, US: / m oʊ ˈ n eɪ, m ə ˈ-/; French: [klod mɔnɛ]; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. [1]
Impressionism which began as a private association of Paris-based artists who exhibited publicly in 1874. The movement was named after Claude Monet's Impression, Sunrise (Impression, soleil levant) (1872/1873); the term being coined by critic Louis Leroy. Impressionism is also a movement in music and a literary tendency
Considering Impression, Sunrise and Monet's work following the 1874 exhibition, Duret wrote "it is certainly the peculiar qualities of Claude Monet's paintings which first suggested [the term impressionism]". Claiming that "Monet is the Impressionist painter par excellence", Duret argued that Monet inspired a new way of seeing and painting ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Scholars generally attribute The Gust of Wind to the summers of 1872 and 1873, [α] a time frame described as classic Impressionism, [2] and a period marked by Renoir's collaboration with Monet. [3] While debates persist regarding the precise date and location of the painting's creation, [ 4 ] it is thought to either depict the specific Saint ...
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The Seine at Lavacourt by Claude Monet. Impressionist music and art sought similar effects of the ethereal, atmospheric. The exploration of tonality and of structure begun by Brahms was continued by composers of the French school.
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