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Electronic Timer-Analyzer. A photo-lab timer, photo interval timer, or darkroom timer is a timer used in photography for timing the process of projecting negatives to photosensitive paper with an enlarger, making photographic prints of them at any scale.
All enlargers consist of a light source, normally an incandescent light bulb shining though a condenser or translucent screen to provide even illumination, a holder for the negative or transparency, and a specialized lens for projection, though some, such as the Rapid Rectilinear or Aplanat [citation needed] could be used in both camera and enlarger.
A number of photographers, inventors and photographic businesses contributed to the design development of the solar camera. An antecedent was the solar microscope of c.1740, [5] employed in experiments with photosensitive silver nitrate by Thomas Wedgwood and Humphry Davy in making the first, but impermanent, photographic enlargements.
The Arnold D enlarger model features a faster standard lens than any of the others. [3] The Zenith 35, initially designed as part of a field portable darkroom kit for the military, was the sole model to have survived the Sun Ray Photo Company itself, and continued in production by the TestRite Instruments Company of NJ under their Fotolarger ...
Burning: a darkroom technique. To burn-in a print, the print is first given normal exposure. Next, extra exposure is given to the area or areas that need to be darkened. A card or other opaque object is held between the enlarger lens and the photographic paper in such a way as to allow light to fall only on the portion of the scene to be darkened.
A darkroom is used to process photographic film, make prints and carry out other associated tasks. It is a room that can be made completely dark to allow the processing of light -sensitive photographic materials, including film and photographic paper .
Fixed safelight in darkroom. An amber (light brown) safelight for use with certain black-and-white photographic papers. A safelight is a light source suitable for use in a photographic darkroom. It provides illumination only from parts of the visible spectrum to which the photographic material in use is nearly, or completely insensitive.
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning , and masking , which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
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