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John Anthony Ciardi (/ ˈ tʃ ɑːr d i / CHAR-dee; Italian:; June 24, 1916 – March 30, 1986) was an American poet, translator, and etymologist.While primarily known as a poet and translator of Dante's Divine Comedy, he also wrote several volumes of children's poetry, pursued etymology, contributed to the Saturday Review as a columnist and long-time poetry editor, directed the Bread Loaf ...
Geomythology (also called “legends of the earth," "landscape mythology," “myths of observation,” “natural knowledge") is the study of oral and written traditions created by pre-scientific cultures to account for, often in poetic or mythological imagery, geological events and phenomena such as earthquakes, volcanoes, floods, tsunamis, land formation, fossils, and natural features of the ...
Earth is first noted in Yerma's offstage lullaby at the beginning of the play when she sings she will make a hut in the field to shelter the child, with the field representing the element Earth. Earth is the element that is representative of mothering and nurturing. This element is the most instinctive in Yerma.
The poem is based upon an actual experience of Brontë's. [7] A note stating "Composed in the Long-Plantation on a wild bright windy day", was written in Anne Brontë's hand at the bottom of the manuscript and the "Long-Plantation" was identified by Edward Chitham as a wood to the East of Kirby Hall toward the River Ouse, though there is no ...
The poem is a first person narrative by a speaker who is never identified in the main body of the poem. Tolkien's rhyme scheme and metre are highly elaborate. "The Sea-Bell" opens with the speaker coming across a white shell "like a sea-bell" as he walks by the shore.
"The Collar" is a poem by Welsh poet George Herbert published in 1633, and is a part of a collection of poems within Herbert's book The Temple. [1] The poem depicts a man who is experiencing a loss of faith and feelings of anger over the commitment he has made to God.
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The poem later achieved a separate life on the concert stage. In 1921, Chapman published the equally successful Cactus Center: Poems of an Arizona Town , containing 30 poems. The Literary Review wrote of the verse, "In vigor of style, [it] irresistibly suggests a transplanted Kipling."