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Originally, as the proprietor of the Los Angeles drum specialty shop, The Drum Connection, Iki put his first Soultone models on the showroom floor with acoustic drums, so that customers could demo them as opposed to hanging them on a display. [4] Artists known to use Soultone cymbals include Steven Adler of Guns N' Roses, [5] Nick Menza of Megadeth
BWV 839 – Sarabande in G minor (doubtful) [13] BWV 840 – Courante in G major (spurious, after the 2nd movement of Telemann's Ouverture in G major, TWV 32:13) BWV 841 – Minuet in G major (from the 1722 Notebook for Anna Magdalena Bach) BWV 842 – Minuet in G minor; BWV 843 – Minuet in G major; BWV 844 – Scherzo in D minor (doubtful) [14]
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.
Johann Sebastian Bach's St Matthew Passion (Matthäuspassion), BWV 244, is structured on multiple levels: the composition is structured in three levels of text sources (Gospel, libretto and chorales) and by the different forms that are used for musical expression (arias, recitatives and choruses).
Menuet 2 (=second Minuet, G minor) [6] On reprend le premier Menuet (repeat the first Minuet) [6] Both the G major and the G minor Menuets, in 3 4 time, consist of 32 measures, each with a repeat sign at the end of the 16th measure (for a repeat of the first half of the piece), and another at the end of the Menuet (for a repeat of the second ...
The toccatas represent Bach's earliest keyboard compositions known under a collective title. [1] The earliest sources of the BWV 910, 911 and 916 toccatas appear in the Andreas-Bach Book, [2] an important collection of keyboard and organ manuscripts of various composers compiled by Bach's oldest brother, Johann Christoph Bach between 1707 and 1713.
Bach's large choral composition in two parts on German text, written to be performed in a Lutheran service on Good Friday, is based on the Passion, as told in two chapters from the Gospel of John (John 18 and John 19) in the translation by Martin Luther, with two short interpolations from the Gospel of Matthew (in the earliest version, one is ...
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