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B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements. Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk ...
Tom Keifer – lead vocals, electric guitar, 12 and 6-string acoustic guitars, steel guitar, dobro, piano, harmonica; Jeff LaBar – guitar, slide guitar, background vocals; Eric Brittingham – bass, 12-string bass, background vocals; Fred Coury – drums, percussion, background vocals
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
The song is a moderately slow-tempo twelve-bar blues, notated in 4 4 or common time in the key of B. [4] [5] Oden, as St. Louis Jimmy, recorded it in Chicago on November 11, 1941. It was released as a single by Bluebird Records and featured Oden's vocal with accompaniment by Roosevelt Sykes on piano and Alfred Elkins on "imitation" bass. [6]
Esther Phillips, then billed as Little Esther, was the featured vocalist on three number ones for the band led by Johnny Otis.. In 1950, Billboard magazine published two charts covering the top-performing songs in the United States in rhythm and blues (R&B) and related African-American-oriented music genres: Best Selling Retail Rhythm & Blues Records and Most Played Juke Box Rhythm & Blues ...
In 1956, Billboard magazine published three charts specifically covering the top-performing songs in the United States in rhythm and blues and related African-American-oriented music genres. The R&B Best Sellers in Stores chart ranked records based on their "current national selling importance at the retail level", based on a survey of record ...
"Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar.
Elwood Blues – backing vocals, harmonica; lead vocals on track 6, co-lead vocals on track 1 "Joliet" Jake Blues – lead vocals; backing vocals on track 6; Steve "The Colonel" Cropper – guitar; Donald "Duck" Dunn – bass guitar; Murphy "Murph" Dunne – keyboards, electric piano, Wurlitzer; Willie "Too Big" Hall – drums on tracks 4, 8