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Cubist sculpture developed in parallel with Cubist painting, beginning in Paris around 1909 with its proto-Cubist phase, and evolving through the early 1920s. Just as Cubist painting, Cubist sculpture is rooted in Paul Cézanne's reduction of painted objects into component planes and geometric solids; cubes, spheres, cylinders, and cones ...
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
Cézanne was one of a trio with Vincent van Gogh and Paul Gauguin that were underappreciated in their time but who would have an incalculable effect on the art of the twentieth century, providing an inspiration for artists such as Pablo Picasso and Henri Matisse. Picasso would go so far as to call Cézanne "The father of us all". [1]
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
The Basket of Apples (French: Le panier de pommes) is a still-life oil painting by French artist Paul Cézanne, which he created c. 1893. The painting rejected naturalistic representation in favor of distorting objects to create multiple perspectives. This approach eventually influenced other art movements, including Fauvism and Cubism.
Mont Sainte-Victoire and the Viaduct of the Arc River Valley is an oil painting on canvas completed by the French artist Paul Cézanne between 1882 and 1885. It depicts Montagne Sainte-Victoire and the valley of the Arc River, with Cézanne's hometown of Aix-en-Provence in the background.
Pyramid of Skulls is a c. 1901 oil on canvas painting by French Post-Impressionist artist Paul Cézanne. It depicts four human skulls stacked in a pyramidal formation, a subject matter that increasingly preoccupied Cézanne in later life.
Cézanne's Late Period ran from about 1895 until his death in 1906, but most of his works of Mont Sainte-Victoire came from the time after Cézanne bought property just north of Aix in 1902. From 1902-1906, Cézanne painted Mont Sainte-Victoire eleven times in oil paint, and many more in watercolor. [ 3 ]
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