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Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
Whereas in Manet's Olympia the courtesan's patron is only implied, in Cézanne's A Modern Olympia the cortesain's patron is depicted within the scene. [1] The man's bald head, dark hair, full beard, and profile of the nose indicate that he is a self-portrait of Cézanne.
Portrait of Madame Cezanne: c. 1883 20.2 x 14 cm Private collection V 533 R 533 FWN 467 Portrait of the Artist Looking Over His Shoulder: 1883–1884 25 × 25 cm Goulandris Museum of Contemporary Art, Athens V 517 R 535 FWN 471 L'Estaque with Red Roofs: 1883–1885 65 × 81 cm Private collection V 399 R 517 FWN 191 Landscape at L'Estaque: 1883 ...
Still Life with Peaches and Pears or Still Life with Sugar Bowl is an oil-on-canvas painting by the French artist Paul Cézanne, from 1888-1890. It is held at the Pushkin Museum , in Moscow [ 1 ] It is similar to another still life by the artist which is now in the National Museum of Art, Architecture and Design , in Oslo .
The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne. Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. The versions vary in size, the number of players, and the setting in which the game takes place.
House in Provence (French title: Maison devant la Sainte-Victoire près de Gardanne) is an oil painting by French artist Paul Cézanne. Created between 1886 and 1890, [1] as of 2012 it is part of the permanent collection in the Indianapolis Museum of Art.
The Basket of Apples (French: Le panier de pommes) is a still-life oil painting by French artist Paul Cézanne, which he created c. 1893.The painting rejected naturalistic representation in favor of distorting objects to create multiple perspectives.
The Bathers (French: Les Grandes Baigneuses) is an oil painting by French artist Paul Cézanne (1839–1906) first exhibited in 1906. The painting, which is exhibited in the Philadelphia Museum of Art, is the largest of a series of Bather paintings by Cézanne; the others are in the Museum of Modern Art in New York City, National Gallery, London, the Barnes Foundation, Pennsylvania, and the ...
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