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A Frazier Lens on a RED One camera. The Frazier lens is a special camera lens designed by Australian photographer Jim Frazier. The Frazier lens provides an appearance of a massive depth of field, allowing the foreground and background of an image to be in focus. Frazier's lenses have been widely used in Hollywood and wildlife cinematography.
This additional crop feature gives D7100 an advantage in using tele angle lens for shooting wildlife or things at a distance. The 51-area AF system sensors covers a bigger proportion of the extra 1.3 crop factor image area, which is important for capturing high-speed moving subjects during shooting. [4]
The world's three largest photography organisations, the Photographic Society of America, the Fédération Internationale de l'Art Photographique and the Royal Photographic Society have adopted a common definition for nature and wildlife photography to govern photography competitions, their respective presidents writing in a joint statement, "The development of a common definition for nature ...
8mm T3.1 Cine UMC FISH-EYE II Cine Lens [351] 8mm T3.8 VDSLR UMC Fish-eye CS II Cine Lens [352] 10mm T3.1 VDSLR ED AS NCS CS II Cine Lens [353] 12mm T2.2 Cine NCS CS Cine Lens [354] 16mm T2.2 VDSLR ED AS UMC CS II Cine Lens [355] 21mm T1.5 ED AS UMC CS Cine Lens [356] 35mm T1.3 AS UMC CS Cine Lens [357] 50mm T1.3 AS UMC CS Cine Lens [358] Photo ...
"Macro" lenses specifically designed for close-up work, with a long barrel for close focusing and optimized for high reproduction ratios, are one of the most common tools for macro photography. (Unlike most other lens makers, Nikon designates its macro lenses as "Micro" because of their original use in making microform.) Most modern macro ...
The best shooting glasses could be the difference between blindness and a good day at the range. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 more ...
The winners of the 2024 Wildlife Photographer of the Year competition, organized by the Natural History Museum, have been announced. From a record-breaking 59,228 entries submitted by ...
Lens Mount [2] Recording media [3] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s −1) Arri: Alexa [4] Alexa Plus 23.76 x 13.37 mm 1.52 Arri PL: SxS card, T-link recorder (optional XR module upgrade) [5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
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