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Philosophy and literature involves the literary treatment of philosophers and philosophical themes (the literature of philosophy), and the philosophical treatment of issues raised by literature (the philosophy of literature). The philosophy of literature, a subset of aesthetics, examines the nature of art and the significance of verbal arts ...
Characters of irreducible representations encode many important properties of a group and can thus be used to study its structure. Character theory is an essential tool in the classification of finite simple groups. Close to half of the proof of the Feit–Thompson theorem involves intricate calculations with character values.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history , moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning . [ 1 ]
Characterology (from Ancient Greek χαρακτήρ 'character' and ‑λογία, ‑logia) is the academic study of character which was prominent in German-speaking countries during the late 19th and early 20th centuries. [1] [2] It is considered a historic branch of personality psychology, which extended into psychoanalysis and sociology. [3]
Theory of Literature is a book on literary scholarship by René Wellek, of the structuralist Prague school, and Austin Warren, a self-described "old New Critic". [1] The two met at the University of Iowa in the late 1930s, and by 1940 had begun writing the book; they wrote collaboratively, in a single voice over a period of three years.
Different characters use different vocabularies and rhythms of speech. For example, some characters are talkative, others taciturn. The way a character speaks can be a powerful way of revealing the character's personality. In theory, a reader should be able to identify which character is speaking simply from the way they talk. [11]
Philosophical fiction is any fiction that devotes a significant portion of its content to the sort of questions addressed by philosophy.It might explore any facet of the human condition, including the function and role of society, the nature and motivation of human acts, the purpose of life, ethics or morals, the role of art in human lives, the role of experience or reason in the development ...
That character would be an 'action', and consequently one of the elements that make up the narrative. Barthes was able to use these distinctions to evaluate how certain key 'functions' work in forming characters. For example, key words like 'dark', 'mysterious' and 'odd', when integrated together, formulate a specific kind of character or 'action'.