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A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
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Air varié pour hautbois avec orchestre ou piano, lettre B, ibid. Concerto pour hautbois et orchestre ou piano, lettre C, ibid. Duo pour deux hautbois et orchestre ou piano , ibid. Mélodie anglaise variée, pour le hautbois et l’orchestre ou le piano, ibid. Quatrième concertino pour hautbois, Paris, Costallat
The work is composed of three movements: [2] Allegro spirituoso; Andante; Rondo: Allegretto; Full performances last about 22 minutes. [2]Charles-David Lehrer believed that the first movement of the concerto was similar to the oboe concertos of Johann Christian Fischer, Johann Christian Bach, and Carl Stamitz, also arguing that it was similar in structure to the Johann Stamitz and Carl Philipp ...
Poulenc's wind sonatas share thematic material. For example, motifs in the final movement of the Clarinet Sonata can be heard in the Scherzo of the Oboe Sonata. Similarly, the Second Movement of the Clarinet Sonata opens with a motif that can be seen as an inversion of the opening of the Elégie of the Oboe Sonata.
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
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