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The Newborn Child is an oil-on-canvas painting created c. 1645–1648 by the French painter Georges de La Tour, now in the Museum of Fine Arts of Rennes in France. It is sometimes thought to be a representation of the Madonna and Child (with the left-hand woman as St Anne) in the form of a genre scene – it is thus also known as The Nativity.
Nativity scenes around the world have added a new accessory this Christmas season: the keffiyeh. In a controversial take on the classic holiday display, some churches are replacing the baby Jesus ...
Other sculptural representations of the Nativity include ivory miniatures, carved stone sarcophagi, architectural features such as capitals and door lintels, and free standing sculptures. Free-standing sculptures may be grouped into a Nativity scene (crib, creche or presepe) within or outside a church, home, public place or natural setting. The ...
Nativity (Christus) Nativity (El Greco) Nativity (Master of the Brunswick Diptych) Nativity at Night; The Nativity (Piero della Francesca) Nativity scene; Nativity scenes attributed to Zanobi Strozzi; Nativity with Saint Francis and Saint Lawrence; Nativity with St Elizabeth and the Infant John the Baptist; The Nativity (Burne-Jones) Neapolitan ...
Nativity is a panel painting of c. 1420 by the Early Netherlandish painter Robert Campin, now in the Musée des Beaux-Arts de Dijon, France. As often, the moment shown is the Adoration of the Shepherds. Harshly realistic, the Child Jesus and his parents are shown in poverty, the figures crowded in a small structure, with broken-down walls, and ...
The Nativity is an oil painting by Italian Renaissance artist Piero della Francesca, dated to 1470–75. The painting depicts a scene from the birth of Jesus , and is one of the latest surviving paintings made by the artist before his death in 1492.
The Nativity at Night or Night Nativity is an Early Netherlandish painting of about 1490 by Geertgen tot Sint Jans in the National Gallery, London (NG 4081). [1] It is a panel painting in oil on oak , measuring 34 × 25.3 cm., [ 1 ] though it has been cut down in size on all four sides.
The altarpiece was transferred from a mural to canvas in the 19th century. The Bolognese art historian Carlo Cesare Malvasia attributes a Nativity of the Virgin to Albani. . It was originally painted for the Oratory of Santa Maria del Piombo in Bologna, and is documented there at least until 15