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The myth purportedly explains the origin of the laurel tree and its connection to Apollo, although "Apollo was emphatically associated with the laurel before the advent of the Daphne myth." [ 1 ] Details vary between different versions, but the beautiful nymph Daphne rejects the love of Apollo and is turned into a tree.
Daughter of Sparta (2021), young adult historical fantasy novel by Claire M. Andrews that reimagines the story of Apollo and Daphne. Daphne is a young Spartan warrior who must work with Apollo to save Olympus and all of Greece. [32]
Apollo and Daphne is a life-sized Baroque marble sculpture by the Italian artist Gian Lorenzo Bernini, created between 1622 and 1625. Housed in the Galleria Borghese in Rome as part of the Borghese Collection, the work depicts the climax of the story of Apollo and Daphne in Ovid's Metamorphoses. Apollo clutches Daphne's hip, pursuing her as she ...
The subject's starting point is Ovid's Metamorphoses 1.488–611, which tells the story of how the god Apollo became infatuated with the naiad Daphne and how she was transformed into a laurel tree. [8] The poet addresses Daphne and asks if she remembers a love song that continuously begins to play among trees and bushes.
Viewing the sculpture from this angle allowed the observer to see the reactions of Apollo and Daphne simultaneously, and thus to understand the narrative of the story in a single instant, without the need to move position. [8] When viewed from the left, neither face and little of Daphne's body is visible.
La Dafne (Daphne) is an early Italian opera, written in 1608 by the Italian composer Marco da Gagliano from a libretto by Ottavio Rinuccini. It is described as a favola in musica (fable set to music) composed in one act and a prologue. The opera is based on the myth of Daphne and Apollo as related by Ovid in the first book of the Metamorphoses.
English: The nymph Daphne prayed for rescue when she was pursued by the god Apollo. When he touched her, she was turned into a laurel. This is a story from Ovid's 'Metamorphoses', Such pagan fables were popular subjects to decorate furniture in Florence.The landscape, like that in the altarpiece of the 'Martyrdom of Saint Sebastian', is based on the Arno valley near Florence, and is likely to ...
The poem’s 4th stanza continues to identify the garden with a retreat from sexuality. It includes allusions to the myths of Apollo and Daphne and Pan and Syrinx from Ovid’s Metamorphoses, stories that both describe a nymph’s escape from threatened rape through transforming into a plant. The speaker claims that "Apollo hunted Daphne so ...