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Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
According to the art historian Giorgio Vasari, Raphael created his own style of painting by learning from previous masters and applying it to his works. Raphael was born in the city of Urbino in the year 1483. He moved to Florence in 1504 to study art. Having been exposed to the aesthetics of Florentine painters, Raphael's painting skills were ...
Tobias and Sarah in Prayer with the Angel Raphael and the Demon; Tobias and the Angel (Filippino Lippi) Tobias and the Angel (Pollaiuolo) Tobias and the Angel (Savoldo) Tobias and the Angel (Verrocchio)
Titian, The Archangel Raphael and Tobias (c. 1512−1514). Tobias and the Angel is the traditional title of depictions in art of a passage from the Book of Tobit in which Tobias, son of Tobit, travels with the Archangel Raphael without realising he is an angel (5.5–6) and is then instructed by Raphael what to do with a giant fish he catches (6.2–9).
Saint Michael is an oil painting by the Italian artist Raphael. Also called the Little Saint Michael to distinguish it from a larger, later treatment of the same theme, Saint Michael Vanquishing Satan, it is now in the Louvre in Paris. [1] The work depicts the Archangel Michael in combat
The picture is attested—starting from Boschini, writing in 1664—on an altar dedicated to the Archangel Raphael on the right side of the church. The presence of the Bembo coat of arms suggests that the painting was commissioned by a member of the family of the Renaissance humanist scholar Pietro Bembo. [3]
The Saint Cecilia Altarpiece is an oil painting by the Italian High Renaissance master Raphael.Completed in his later years, in around 1516–1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of Saints Paul, John the Evangelist, Augustine and Mary Magdalene.
It was painted c. 1507–1509, towards the end of Raphael's sojourn in Florence, and shows the young artist in a transitional phase. The depiction of religious passion in the painting is still reminiscent of Pietro Perugino , but the graceful contrapposto of Catherine's pose is typical of the influence of Leonardo da Vinci on Raphael, and is ...