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The 20th century saw the rise of the "truly American" opera, characterized by drawing upon distinctly American themes, settings, and musical styles, such as jazz and gospel music. [8] In this sense, the first American operas emerged in 1937, with the premieres of Virgil Thomson’s Four Saints in Three Acts and George Gershwin’s Porgy and ...
Man on the Moon (opera) The Man Without a Country (opera) Manon Lescaut (Puccini) Margaret Garner (opera) Marilyn (opera) A Marvelous Order; McTeague (opera) The Medium; Merry Mount (opera) Moby-Dick (opera) Morning Star (opera) The Mother of Us All; Mourning Becomes Electra (opera)
"The Standard Repertoire of Grand Opera 1607–1969", a list included in Norman Davies's Europe: a History (Oxford University Press, 1996; paperback edition Pimlico, 1997). ISBN 0-7126-6633-8. Operas appearing in the chronology by Mary Ann Smart in The Oxford Illustrated History of Opera (Oxford University Press, 1994). ISBN 0-19-816282-0.
Opera America (stylized as OPERA America) is a New York–based service organization promoting the creation, presentation, and enjoyment of opera in the United States. . Almost all professional opera companies and some semi-professional companies in the United States are members of the organization including such opera companies as the Metropolitan Opera, San Francisco Opera, Lyric Opera of ...
The company moved to New York in the summer of 1753, performing ballad-operas such as The Beggar’s Opera and ballad-farces like Damon and Phillida. [20] By the 1840s, P.T. Barnum was operating an entertainment complex in lower Manhattan. [21] Other early musical theatre in America consisted of British forms, such as burletta and pantomime. [8]
A private performance of Treemonisha by Scott Joplin is the first of an African American "folk opera written by a black composer". [186] Raymond Lawson becomes the first known African American pianist to perform concertos with a symphony orchestra, the Hartford Symphony. [202] Victor Herbert's Natoma is the first American opera to display verismo .
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The first American Opera Company was founded by patron of the arts Jeannette Meyers Thurber, who also established the National Conservatory of Music of America.It was incorporated in 1878 with an ambitious prospectus, which anticipated productions featuring "the largest regularly trained chorus ever employed in grand opera in America", "the largest ballet corps ever presented in grand opera in ...