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Bigsby is a brand of guitars and guitar accessories that operated as an independent company by Paul Bigsby until 1966 when it was purchased by ex-Gibson executive Ted McCarty. In 1999, the brand was acquired by Gretsch from McCarty, which owned it until 2019, when Bigsby was sold to Fender Musical Instruments Corporation .
A guitar pedalboard is a flat board or panel that serves as a container, patch bay, and power supply for effects pedals for the electric guitar. Some pedalboards contain their own transformer and power cables to power multiple pedals. Pedalboards help the player manage multiple pedals.
Guitar pedalboard, a container for guitar effects pedals Topics referred to by the same term This disambiguation page lists articles associated with the title Pedalboard .
Paul Adelburt Bigsby (1899–1968) [1] [2] was an American inventor, designer, and pioneer of the solid body electric guitar. Bigsby is best known for designing the Bigsby vibrato tailpiece (also mislabeled as a tremolo arm ) and proprietor of Bigsby Electric Guitars .
Bigsby was inspired to create a new vibrato system after being tasked by Merle Travis to repair the Kauffman Vibrola on his Gibson L-10. [2] The Bigsby system would debut in 1951, [2] with the first example going to Travis. [3] By the mid-1950s, Bigsby had ceased production of his own guitars and began only producing a range of vibrato ...
A palm pedal is a mechanical device that consists of levers attached to the strings of a guitar or other stringed instrument for the purpose of pulling the strings up in pitch to a preset half-step or whole-step. The palm pedal was invented by Boomer Castleman, an American guitarist and singer-songwriter, who designed the prototype in 1968. [1]
The first use of pedals on a pipe organ grew out of the need to hold bass drone notes, to support the polyphonic musical styles that predominated in the Renaissance. Indeed, the term pedal point, which refers to a prolonged bass tone under changing upper harmonies, derives from the use of the organ pedalboard to hold sustained bass notes. [2]
Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rack-mounted multi-effects units may be mounted in the same rack as preamplifiers and power amplifiers.