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"Perfect" is a song by American singer-songwriter Rob Cantor. It was released on April 14, 2014, as the penultimate track on his solo debut album, Not a Trampoline . A video for the song titled " 29 Celebrity Impressions, 1 Original Song " was published to YouTube on July 1, featuring Cantor performing impressions .
This is a comprehensive list of songs by English band Blur. Since forming in 1989, the band have released eight studio albums, three live albums, seven compilation albums, and thirty-five singles. This list does not contain live versions or remixes released by the band. Blur have officially released 255 songs, excluding alternate versions or ...
Bille Woodruff is a director of film, television and music videos, noted for directing many videos for a number of R&B and hip-hop artists since the mid-1990s. These artists include Joe, for whom Woodruff has directed 9 music videos since 1994, and Toni Braxton, with whom he has worked 10 times since 1996.
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Making the Video is an MTV show consisting of half-hour episodes chronicling the process of filming various music videos. Usually the director outlines the concept of the video (or treatment) and the show often includes light-hearted and humorous moments. It always concludes with a premiere of the finished video. The show premiered on June 28 ...
"She's So High" is a song by the English rock band Blur. It was released as a double A-side single with "I Know" on 15 October 1990 as the band's debut single. It is the first track on the band's debut album, Leisure , released in 1991.
A full set of credits can include the cast and crew, but also production sponsors, distribution companies, works of music licensed or written for the work, various legal disclaimers, such as copyright and more. Typically, the closing credits appear in white lettering on a solid black background, often with a musical background.
Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.