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The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and
The adoration is an episode in the nativity narrative of the Gospel of Luke.Shepherds are watching their flocks by night, apparently near Bethlehem, when an angel appears to announce the good news that "today in the City of David a Saviour has been born to you; he is the Messiah, the Lord". [1]
The landscape varies, though scenes in the background of a Nativity very often show the shepherds on a steep hill, making visual sense of their placement above the main Nativity scene. The number of shepherds shown varies also, [ 18 ] though three is typical in the West; one or more dogs may be included, as in the Taddeo Gaddi (right, with red ...
The Nativity story has 7 scenes, and from the Annunciation to the Return from Egypt takes 13. Eadwine Psalter , English manuscript of the mid-12th century, the prefatory cycle now dispersed Scrovegni Chapel by Giotto, a large combined Life of Christ and of the Virgin in fresco with nearly forty narrative scenes.
This category is for the Nativity of Jesus in art. See also other sub-categories of the parent, like Category:Adoration of the Magi in art and Category:Adoration of the Shepherds in art . Here, "art" means the visual arts , not music or drama.
Gerard David, Adoration of the Kings, National Gallery, London, circa 1515 Adoration of the Magi, Gentile da Fabriano, 1423. The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star ...
Below Joseph is a large metal grate, possibly covering the mouth of an underground cistern. In the background, to the left, is a tiny scene of an angel announcing the birth of Jesus to shepherds, while to the right is a city scene with a road, walls and towers. Detail, central panel. The two smaller side panels show related scenes.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
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