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Symphonic Variations for Piano and Orchestra (1935–37, 1953–56) Opus clavisymphonicum—Concerto for Piano and Large Orchestra (1957–59) Opusculum clavisymphonicum vel claviorchestrale (1973–75) Leo Smit. Piano Concerto (1937) Charles Villiers Stanford. Piano Concerto in B-flat major, Op. posth (1873) [15] Piano Concerto No. 1 in G, Op ...
The piano is an essential tool in music education in elementary and secondary schools, and universities and colleges. Most music classrooms and many practice rooms have a piano. Pianos are used to help teach music theory, music history and music appreciation classes, and even non-pianist music professors or instructors may have a piano in their ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
12 Variations in E♭ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)
The music has been re-recorded numerous times by different artists, and became the basis of Nyman's 1994 composition, The Piano Concerto which debuted in 1994. Perhaps the most unusual rerecording is by conductor Bill Broughton and the Orchestra of the Americas—an orchestral version sans piano. "Here to There", a saxophone solo, has become ...
Wolfgang Amadeus Mozart (1756–1791) was a prolific composer who wrote in many genres. Perhaps his best-admired works can be found within the categories of operas, piano concertos, piano sonatas, symphonies, string quartets, and string quintets.
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