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In the later decades of the 19th century, the music industry became dominated by a group of publishers and song-writers in New York City that came to be known as Tin Pan Alley. Tin Pan Alley's representatives spread throughout the country, buying local hits for their publishers and pushing their publisher's latest songs.
Early 1820s music trends The Boston 'Euterpiad becomes the first American periodical devoted to the parlor song. [5]The all-black African Grove theater in Manhattan begins staging with pieces by playwright William Henry Brown and Shakespeare, sometimes with additional songs and dances designed to appeal to an African American audience. [6]
In the 19th century, African-Americans were freed from slavery following the American Civil War. Their music was a mixture of Scottish and African origin, like African American gospel displaying polyrhythm and other distinctly African traits.
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
Pages in category "19th century in music" The following 129 pages are in this category, out of 129 total. ... Music history of the United States in the late 19th ...
A prominent mark of late 19th-century music is its nationalistic fervor, as exemplified by such figures as Dvořák, Sibelius, and Grieg. Other prominent late-century figures include Saint-Saëns, Fauré, Rachmaninoff, Franck, Debussy and Rimsky-Korsakov.
The second revival was generally left wing in politics and emphasised the work music of the 19th century and previously neglected forms like erotic folk songs. [4] Topic Records, founded in 1939, provided a major source of folk recordings. [17] The revival resulted in the foundation of a network of folk clubs in major towns, from the 1950s. [21]
19th-Century Music is a triennial academic journal that "covers all aspects of Western art music composed in, leading to, or pointing beyond the "long century" extending roughly from the 1780s to the 1930s." [1] It is published by the University of California Press and was established in 1977. The editor-in-chief is Lawrence Kramer. [2]