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The Big Four, sometimes referred to as The Big 4, is the name given in fashion to the four most notable Vogue covers; American Vogue, British Vogue, Vogue France and Vogue Italia. The term is commonly used when a model completes all four covers and is considered one of the biggest achievements in the fashion industry .
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.
American experimental band Xiu Xiu covered "Four Women" on its 2013 Nina Simone tribute album Nina. The song inspired the 2016 play Nina Simone: Four Women by Christina Ham. In the play, Nina meets the first three women (she is the fourth) at the site of the 16th Street Baptist Church bombing, and they become the characters in her song.
It is written in the fixed-form ballade format, and forms part of his collection Le Testament in which it is followed by the Ballade des seigneurs du temps jadis. The section is simply labelled Ballade by Villon; the title des dames du temps jadis was added by Clément Marot in his 1533 edition of Villon's poems.
Woman with a Fan (French: Femme à l'Éventail, also known as The Lady) is an oil painting created in 1912 by the French artist and theorist Jean Metzinger (1883–1956). ). The painting was exhibited at the Salon d'Automne, 1912, Paris (hung in the decorative arts section inside the Salon Bourgeois of La Maison Cubiste, the Cubist House), and De Moderne Kunstkring, 1912, Amsterdam (L ...
Plus belle la vie (More beautiful life) is a French television soap opera based on an idea by Hubert Besson and characters created by Georges Desmouceaux, Bénédicte Achard, Magaly Richard-Serrano and Olivier Szulzynger.
For a Woman (original title: Pour une femme) is a 2013 French drama film directed by Diane Kurys. [3] [4] [5] Plot.
In the morning, Alice reacts with shame and horror. Anxious to bring the matter to a good conclusion, she meets again during the day with the young man, who now, with overflowing gratitude, venerates her like a maternal saint. In German, Thomas quotes the first stanza of the poem "Du meine Seele, du mein Herz" ("You, my soul.