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2. Submission (1976 film) - Wikipedia

   en.wikipedia.org/wiki/Submission_(1976_film)

   Submission (Italian: Scandalo, 'Scandal') is an Italian film filmed in technicolor and directed by Salvatore Samperi based on his own script written in collaboration with Ottavio Jemma, according to Samperi. It belongs to the drama and erotic genres and had as principal actors Franco Nero, Lisa Gastoni, Raymond Pellegrin and Andréa Ferréol.

3. Maladolescenza - Wikipedia

   en.wikipedia.org/wiki/Maladolescenza

   The film was co-produced by two Munich companies as well as an Italian enterprise, filmed from 17 August to 16 September 1976, in upper Austria and Kärnten. Chosen to play Sylvia was young Eva Ionesco, herself no stranger to controversy, as her mother was infamous in their native France for her photos featuring a then five-year-old Ionesco in ...

4. List of Italian films of 2010 - Wikipedia

   en.wikipedia.org/wiki/List_of_Italian_films_of_2010

   Title Director Cast Genre Notes 2010: Angel of Evil: Michele Placido: Kim Rossi Stuart, Michele Placido, Filippo Timi, Paz Vega: Crime: Basilicata Coast to Coast: Rocco Papaleo: Rocco Papaleo, Alessandro Gassman, Giovanna Mezzogiorno

5. 15 Italian Movies on Netflix That’ll Make You Want to Book ...

   www.aol.com/lifestyle/15-italian-movies-netflix...

   2. Human Capital. Best for Family Fun. Director: Marc Meyers Run Time: 1 hour 37 minutes This adaptation of a book by the same name is the American-Italian version of a foreign film that was first ...

6. White Nights (1957 film) - Wikipedia

   en.wikipedia.org/wiki/White_Nights_(1957_film)

   White Nights (Italian: Le notti bianche, French: Nuits blanches) is a 1957 romantic drama film directed by Luchino Visconti, based on Fyodor Dostoevsky’s 1848 short story of the same name. It was written for the screen by Visconti and Suso Cecchi d'Amico, and stars Maria Schell, Marcello Mastroianni, and Jean Marais. [2]

7. Swept Away (1974 film) - Wikipedia

   en.wikipedia.org/wiki/Swept_Away_(1974_film)

   In his review in the Chicago Sun-Times, American film critic Roger Ebert gave the film four stars, his highest rating. Ebert wrote that the film "resists the director's most determined attempts to make it a fable about the bourgeoisie and the proletariat, and persists in being about a man and a woman.