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The United States home front during World War II supported the war effort in many ways, including a wide range of volunteer efforts and submitting to government-managed rationing and price controls. There was a general feeling of agreement that the sacrifices were for the national good during the war.
Films set on the United States home front during World War II (1 C, 92 P) Pages in category "Films set on the home front during World War II" The following 27 pages are in this category, out of 27 total.
Life on the home front during World War II was a significant part of the war effort for all participants and had a major impact on the outcome of the war. Governments became involved with new issues such as rationing, manpower allocation, home defense, evacuation in the face of air raids, and response to occupation by an enemy power.
Pages in category "Films set on the United States home front during World War II" The following 92 pages are in this category, out of 92 total. This list may not reflect recent changes .
The film or miniseries must be concerned with World War II (or the War of Ethiopia and the Sino-Japanese War) and include events which feature as a part of the war effort. For short films, see the List of World War II short films. For documentaries, see the List of World War II documentary films and the List of Allied propaganda films of World ...
Stefan Ruzowitzky’s full-blown Expressionist take on the collapse of the Austro-Hungarian Empire uses a gruesome police procedural to delve into the trauma following World War I.
Following the attack on Pearl Harbor, the United States entered World War II to fight against Nazi Germany, Fascist Italy, and Imperial Japan, known as the "Axis Powers". Italy surrendered in 1943, and Germany and Japan in 1945, after massive devastation and loss of life, while the US emerged far richer and with few casualties.
The War is a seven-part American television documentary miniseries about World War II from the perspective of the United States.The program was directed by American filmmakers Ken Burns and Lynn Novick, written by Geoffrey Ward, and narrated primarily by Keith David. [1]