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The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1736, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Piazza Navona has two other fountains. At the southern end is the Fontana del Moro with a basin and four Tritons sculpted by Giacomo della Porta (1575) to which, in 1673, Bernini added a statue of a Moor , wrestling with a dolphin.
Sculpture Marble Life-size 2 [4] A Faun Teased by Children: Metropolitan Museum of Art, New York 1616–1617 Sculpture Marble Height 132 cm (52 in) NA [5] The Martyrdom of Saint Lawrence: Uffizi, Florence 1617 Sculpture Marble 66 cm × 108 cm (26 in × 43 in) 3 [6] Saint Sebastian: Thyssen-Bornemisza Museum, Madrid 1617–1618 Sculpture Marble ...
Fontana del Moro (Fountain of the Moor) is a fountain located at the southern end of the Piazza Navona in Rome, Italy. It depicts a nautical scene with tritons, dolphins, and a conch shell. [ 1 ] It was originally designed by Giacomo della Porta in the 1570s with later contributions from Gian Lorenzo Bernini in the 1650s. [ 1 ]
Pages in category "Sculptures of women in Italy" The following 26 pages are in this category, out of 26 total. This list may not reflect recent changes. B.
Fontana dei Quattro Fiumi (Fountain of the Four Rivers) is a fountain in the Piazza Navona in Rome, Italy.It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as did the church of Sant'Agnese in Agone of which Innocent was the sponsor.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The Madonna del Rosario, c. 6th century, (70.2 x 40.5 cm). The Madonna del Rosario is an icon of Mary commonly dated to the sixth century or earlier. [1] It is an early version of a type of icon known as the Agiosoritissa or the Maria Advocata, in which Mary is depicted without the Christ Child, with both hands raised.