Ads
related to: best archival adhesive for artwork prints
Search results
Results from the WOW.Com Content Network
Demounting is the process of removing a print from the mounting material. This is often done because older mounts were usually made from acidic paper materials that can deteriorate the paper or fade colorants. Mounts are usually adhered to prints through adhesive agents that can cause yellow distortions on the paper. [7]
A conservation technician examining an artwork under a microscope at the Indianapolis Museum of Art. The conservation and restoration of books, manuscripts, documents, and ephemera is an activity dedicated to extending the life of items of historical and personal value made primarily from paper, parchment, and leather.
The latter is the standard adhesive for paper conservation. [ citation needed ] Besides wheat, other vegetables also are processed into flours and starches from which pastes can be made: characteristics, such as strength and reversibility, vary with the plant species; manufacturer's processing; and the recipe of the end-user.
Self-adhesive foam boards, intended for art and document mounting are also available, though these can be very tricky to use properly; this is because the glue sets very fast. It is considered cheaper to buy plain foam board and use re-positionable spray mount adhesive. Specialty constructions have been developed for engineering uses. [2] [3]
Preservation of documents, pictures, recordings, digital content, etc., is a major aspect of archival science.It is also an important consideration for people who are creating time capsules, family history, historical documents, scrapbooks and family trees.
Rabbit-skin glue, in pellet form (left) and partially dissolved in water (right) Rabbit-skin glue is a type of animal glue used as a sizing and an adhesive, it is essentially refined rabbit collagen. The glue has been used for centuries for stretching and priming canvases for oil painting. It has also been an ingredient in traditional gesso.
Fielding notes that a number of different types of adhesives may be used in this process. Glue paste, beeswax, strong copal varnish, or a glue made from pounded cheese are all listed as acceptable materials to coat the back of the artwork with. [6] The main benefits of a pounded cheese-based paste is its water-resistance.
The conservator may choose to add additional adhesives to existing adhesives, depending on the state of the existing adhesive. Replacing failed adhesives with new ones. The conservator may choose to replace a failed adhesive entirely. In this case, the conservator must carefully remove the failed adhesive from the area they plan to re-glue.
Ads
related to: best archival adhesive for artwork prints