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XLR3 cable connectors female (left) and male. The XLR connector is a type of electrical connector primarily used in professional audio, video, and stage lighting equipment. XLR connectors are cylindrical, with three to seven connector pins, and are often employed for analog balanced audio interconnections, AES3 digital audio, portable intercom, DMX512 lighting control, and for low-voltage ...
Nagra D – 4 channel PCM digital audio recorder. Instead of recording to the DAT format, the D used a digital reel-to-reel format using a helical scan head and 1/4" tape on 5" and 7" reels. The tape is identical to that used on Digital Audio Stationary Head machines such as the Sony PCM-3202 and Mitsubishi X-86 series.
They manufactured a total of 18 digital recorders, of which seven were sold and the rest leased out. [2] Although most recordings were of classical music, the range included country, rock, jazz, pop, and avant-garde. The first US live digital recording was made in 1976 by Soundstream's prototype 37 kHz, 16-bit, two channel recorder. [3]
AES3 is a standard for the exchange of digital audio signals between professional audio devices. An AES3 signal can carry two channels of pulse-code-modulated digital audio over several transmission media including balanced lines, unbalanced lines, and optical fiber. [1]
The Digital Audio Stationary Head or DASH standard is a reel-to-reel, digital audio tape format introduced by Sony in early 1982 for high-quality multitrack studio recording and mastering, as an alternative to analog recording methods. DASH is capable of recording two channels of audio on a quarter-inch tape, and 24 or 48 tracks on -inch-wide ...
Matrix decoding is an audio technology where a small number of discrete audio channels (e.g., 2) are decoded into a larger number of channels on play back (e.g., 5). The channels are generally, but not always, arranged for transmission or recording by an encoder, and decoded for playback by a decoder. The function is to allow multichannel audio ...
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Digital recording and reproduction converts the analog sound signal picked up by the microphone to a digital form by the process of sampling. This lets the audio data be stored and transmitted by a wider variety of media. Digital recording stores audio as a series of binary numbers (zeros and ones) representing samples of the amplitude of the ...