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17th-century French art is generally referred to as Baroque, but from the mid- to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
The latter half of the 18th century continued to see French preeminence in Europe, particularly through the arts and sciences, and the French language was the lingua franca of the European courts. The French academic system continued to produce artists, but some, like Jean-Honoré Fragonard and Jean-Baptiste-Siméon Chardin , explored new and ...
See as well Louis XIV of France, Palace of Versailles, Jean-Baptiste Colbert, Gobelins, Louis Le Vau, Jules Hardouin Mansart, Baroque. Pierre Mignard (1612–1695); André Le Nôtre (1613–1700) landscape architect
The following is a chronological list of French artists working in visual or plastic media (plus, for some artists of the 20th century, performance art). For alphabetical lists, see the various subcategories of Category:French artists. See other articles for information on French literature, French music, French cinema and French culture.
French art consists of the visual and plastic arts (including French architecture, woodwork, textiles, and ceramics) originating from the geographical area of France.Modern France was the main centre for the European art of the Upper Paleolithic, [citation needed] then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art.
Gothic art in the mid-12th century. [1]Ars nova: a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages.; Oboe, or hautbois, in the mid-17th century France, probably by Jacques-Martin Hotteterre and his family or by the Philidor family. [2]
French Colonial is a style of architecture used by the French during colonization. Many former French colonies, especially those in Southeast Asia, have previously been reluctant to promote their colonial architecture as an asset for tourism; however, in recent times, the new generation of local authorities has somewhat 'embraced' the ...
The Calling of Saint Matthew (1599–1600), by Caravaggio. Contarelli Chapel, San Luigi dei Francesi, Rome.The beam of light, which enters the picture from the direction of a real window, expresses in the blink of an eye the conversion of St Matthew, the hinge on which his destiny will turn, with no flying angels, parting clouds or other artifacts.