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The Sermon of Saint John the Baptist (or The Preaching of Saint John the Baptist) is a painting of 1566 by the Netherlandish Renaissance artist Pieter Bruegel the Elder in the Museum of Fine Arts in Budapest, Hungary. It was painted as oil on panel.
Saint John the Baptist Preaching (also known as Sermon of Saint John Baptist) [1] is a 1562 oil-on-canvas painting of John the Baptist by Paolo Veronese, now in the Galleria Borghese in Rome. The painting depicts John the Baptist acting primarily and quite literally as a messenger for the coming of Jesus.
John the Baptist [note 1] (c. 6 BC [18] – c. AD 30) was a Jewish preacher active in the area of the Jordan River in the early first century AD. [19] [20] He is also known as Saint John the Forerunner in Eastern Orthodoxy and Oriental Orthodoxy, John the Immerser in some Baptist Christian traditions, [21] and as the prophet Yaḥyā ibn Zakariyā (Arabic: النبي يحيى, An-Nabī ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Matthew 3:10 is the tenth verse of the third chapter of the Gospel of Matthew in the New Testament. The verse occurs in where John the Baptist is berating the Pharisees and Sadducees. He has previously called them a brood of vipers and warned them of the wrath to come and has urged them to repent.
Matthew 3:11 is the eleventh verse of the third chapter of the Gospel of Matthew in the New Testament. The verse occurs in the section relating the preachings of John the Baptist. In this verse he predicts that he will be followed by someone much greater than himself.
This verse introduces the character of John the Baptist. Guthrie notes that John likely does not need much of an introduction to Matthew's largely Jewish readers, as he was a well-known figure at the time. [6] Unlike Luke, Matthew gives none of John's early history: John is a much less important character in Matthew than in the other gospels ...
Harrington notes that this verse does not appear in this section of Luke. Harrington thus believes that the author of Matthew appended the words of the Baptist to material found in Q to make the warning more eschatological. [6] The mention of fire is a clear reference to Gehenna, which has been twice already mentioned in the Sermon on the Mount ...
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