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Bongwater is a 1998 [2] American black comedy film directed by Richard Sears and starring Luke Wilson, Alicia Witt, Amy Locane, Brittany Murphy, Jack Black and Andy Dick.Based on the 1995 novel of the same name by Michael Hornburg, the film is set in Portland, Oregon, and follows an aspiring artist and marijuana dealer and his relationship with a tempestuous woman he meets through a client.
Interior of MoMA Film, the oldest continually operating art cinema in New York City. Art cinemas, or independent movie theaters, in New York City are known for showing art house, independent, revival, and foreign films.
High Art (1998) – heroin [1] High School Confidential (1958) – cannabis, heroin; High School High (1996) – cannabis; Hobo with a Shotgun (2011) – cocaine; Hollywood High (2003) [1] Holy Rollers (2010) – MDMA; El hombre de los hongos, aka The Mushroom Man (1976) – psychedelic mushrooms; A Home at the End of the World (2004 ...
Not just in your living room. 420-friendly movie screenings have finally arrived in LA — and for organizers, they're a complex feat to pull off.
Enter the Void is a 2009 English-language art film [8] written and directed by Gaspar Noé and starring Nathaniel Brown, Paz de la Huerta, and Cyril Roy.A fantasy psychological drama set in the neon-lit nightclub environments of Tokyo, the story follows Oscar, a young American drug dealer who gets fatally shot by the police, but continues to watch subsequent events during an out-of-body ...
From almost the beginning, Hollywood and independent studios got in on the action and produced a number of extremely lurid hippie exploitation (and/or hippie horror) films that were either supporting the subversive playful artistic side of the culture war, [2] or masquerading as cautionary public service announcements, but which were in fact aimed directly at feeding a morbid public appetite ...
The midnight movie scene in theaters of the 1970s revived the hectoring anti-drug propaganda film Reefer Madness (1936) as an ironic counterculture comedy. The broad popularity of Reefer Madness led to a new audience for extreme anti-drug films bordering on self-parody, including Assassin of Youth (1937), Marihuana (1936), and She Shoulda Said No! a.k.a.
From discussions of Marxism to love of lasagna, Smiley Face serves it all — with some weed and a very, very stoned smile". [8] The review of the New York Daily News states that "Not since Sean Penn's Jeff Spicoli in Fast Times at Ridgemont High has an actor so thoroughly dominated the screen while pretending to be in a chemically altered state."
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