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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Calavaza started silversmithing in 1956 and learned the art from her husband, Juan. Her signature style depicts snakes winding around large gemstones—most commonly turquoise, coral, and onyx—set in sand cast silver pieces including earrings, necklaces, rings, bracelets, watches, and belt buckles.
Charles Sequevya Loloma (January 7, 1921 — June 9, 1991) was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics. A highly influential Native American jeweler during the 20th century, [1] Loloma popularized use of gold and gemstones not previously used in Hopi jewelry.
Tommy Singer (1940 – May 31, 2014) was a Navajo silversmith who specialized in chip-inlay jewelry. [1] He died in a motorcycle accident on May 31, 2014. [citation needed] His inlaid turquoise, coral, and silver pieces incorporated traditional Navajo designs. Singer gained acclaim as the originator of the chip inlay design which he developed ...
The most important of these materials was turquoise which the Zuni regard as the sacred stone. Jet, shell (primarily mother-of-pearl), and coral are also frequently used. These materials and their associated colors are principle in the Zuni sunface, a cultural symbol which is present in Zuni jewelry and fetishes and represents their Sun Father.
The James Museum hosts a collection of sculptures, paintings, jewelry, and other artifacts primarily by artists from the 20th and 21st centuries. [8] This collection is divided amongst eight distinct galleries: Introductory, Early West, Native Life, Native Artists, the Jewel Box, Frontier, Wildlife, and New West.
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