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The Stele of Ankh-ef-en-Khonsu (Cairo A 9422, formerly Bulaq 666) is a painted, wooden offering stele.The stele is a fairly typical example of a Theban offering stele from the late Third Intermediate Period, [4] dating to the late 25th Dynasty/early 26th Dynasty. [5]
Ankh signs in two-dimensional art were typically painted blue or black. [24] The earliest ankh amulets were often made of gold or electrum, a gold and silver alloy. Egyptian faience, a ceramic that was usually blue or green, was the most common material for ankh amulets in later times, perhaps because its color represented life and regeneration ...
The stele is a fairly typical example of a Theban offering stele from the late Third Intermediate Period, [7] dating to the late 25th Dynasty/early 26th Dynasty. [8] It was originally discovered in 1854 as part of a large burial of priests of Montu at Deir el-Bahari in Luxor, Ottoman Egypt, and included the coffin of the dedicant, Ankh-ef-en-Khonsu i.
The Ankh-Hapy stele is an Egyptian-Aramaic stele dated to 525–404 BCE. It was first published in a letter from François Lenormant to Ernest Renan in the Journal asiatique ; Lenormant had noticed the stele in the Vatican collections and had brought a cast from Rome in 1860.
Isesi-ankh (transliteration Izzi-ˁnḫ; fl. c. 2375 BC [1]) was an ancient Egyptian high official during the second half of the Fifth Dynasty, in the late 25th to mid 24th century BC. His name means "Isesi lives".
It depicts a mature man and was therefore likely made during the reign of Khafre (circa 2520–2494 BC). One of the earliest – and even after four and a half thousand years, still among the finest – true sculptured portraits, it is an almost unprecedented depiction of the unidealised features of an actual man.
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