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[10] Le Samouraï: Jean-Pierre Melville: 1967 France [13] [14] Sandra: Luchino Visconti: 1965 Italy [10] Seance on a Wet Afternoon: Bryan Forbes 1964 United Kingdom [47] Seconds: John Frankenheimer 1966 United States [1] The Secret Ways: Phil Karlson: 1961 United States [8] The Servant: Joseph Losey 1963 United Kingdom [47] Seven Days in May ...
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
A blend of smooth jazz music and tobacco smoke fills the air as the silhouette of a trench coat and fedora-clad bystander trudges down a dark city corridor, accompanied only by his shadow. The ...
The neo-noir subgenre refers to crime dramas and mysteries produced from the mid-1960s to the present that, while they are generally shot in color and do not always emulate the visual style of classic film noir, often borrow the themes, archetypes, and plots made famous by the film noir genre.
With “Lake George,” Jeffrey Reiner makes his first indie feature as writer-director since the 1990s, following a prolific quarter-century helming small-screen projects. The filmmaker has cited ...
Few neo-noirs have made more money or more wittily updated the tradition of the noir double entendre than Basic Instinct (1992), directed by Paul Verhoeven and written by Joe Eszterhas. [117] The film also demonstrates how neo-noir's polychrome palette can reproduce many of the expressionistic effects of classic black-and-white noir. [114]
Festival highlights include the 4k digital restoration screening of David Lynch’s 1997 hallucinogenic neo-noir "Lost Highway" at the IMAX theater.
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