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In the play, the poem was put to music by the composer Benjamin Britten and read as a blues work. [2] Hedli Anderson, an English singer, was a lead performer in The Ascent of F6. [2] Auden decided to re-write several poems for Anderson to perform as cabaret songs, including "Funeral Blues", and was working on them as early as 1937. [3]
Wystan Hugh Auden (/ ˈ w ɪ s t ən ˈ h juː ˈ ɔː d ən /; 21 February 1907 – 29 September 1973 [1]) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content.
This is a bibliography of books, plays, films, and libretti written, edited, or translated by the Anglo-American poet W. H. Auden (1907–1973). See the main entry for a list of biographical and critical studies and external links.
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Rónán Ó Snodaigh from Kíla, who co-wrote the song Friends with Mic and shared a flat with him in the years before his death, wrote the song "The dream I haven't shown her" on his album The Playdays for Mic, it is a medley of the W.H. Auden poem; Funeral Blues and a song written by Mic Christopher Embrace the Day.
Together with his lifelong friend (and sometime lover [4]) W. H. Auden, Kallman wrote the libretto for Stravinsky's The Rake's Progress (1951). They also collaborated on two librettos for Hans Werner Henze, Elegy for Young Lovers (1961) and The Bassarids (1966), and on the libretto of Love's Labour's Lost (based on Shakespeare's play) for Nicolas Nabokov (1973).
The play is dedicated to Auden's geologist brother John Bicknell Auden who had taken part in an expedition near the Karakoram mountain K2. [2]The play is widely regarded as an allegory of Auden's own temptation to be a public figure; this interpretation was first offered by R. G. Collingwood in The Principles of Art (1938).