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THE PATH is the way by which the human soul must pass it its evolution to full spiritual self-consciousness. The supreme condition is suggested in this work by the great figure whose head in the upper triangle is lost in the glory of the Sun above, and whose feet are in the lower triangle in the waters of Space, symbolizing Spirit and Matter.
Spiritualist art or spirit art or mediumistic art or psychic painting is a form of art, mainly painting, influenced by spiritualism. Spiritualism influenced art, having an influence on artistic consciousness, with spiritual art having a huge impact on what became modernism and therefore art today.
The meaning of spirituality has developed and expanded over time, and various meanings can be found alongside each other. [1] [2] [3] [note 1] Traditionally, spirituality is referred to a religious process of re-formation which "aims to recover the original shape of man", [note 2] oriented at "the image of God" [4] [5] as exemplified by the founders and sacred texts of the religions of the world.
Frida Kahlo had no religious affiliation. Why, then, did the Mexican artist depict several religious symbols in the paintings she produced until her death on July 13, 1954? “Frida conveyed the ...
Instead, Jordán said, she “re-created” herself through symbols that convey the profoundness of interior human life. “Diego and I” is the perfect example. Painted by Kahlo in 1949, it sold for $34.9 million at Sotheby’s in New York in 2021, an auction record for a work by a Latin American artist.
Theological aesthetics is the interdisciplinary study of theology and aesthetics, and has been defined as being "concerned with questions about God and issues in theology in the light of and perceived through sense knowledge (sensation, feeling, imagination), through beauty, and the arts". [1]
The Society for the Arts, Religion, and Contemporary Culture, or ARC, was founded in October 1961 by three people: Alfred Barr, the art critic and founder of the Museum of Modern Art, the theologian Paul Tillich, and Marvin Halverson, an American Protestant theologian sometime of the Chicago Theological Seminary and the author of a 1951 booklet, Great Religious Paintings. [1]
Ralph Merrifield, the British archaeologist credited as producing the first full-length volume dedicated to a material approach to magic, [2] defined the differences between religion and magic: "'Religion' is used to indicate the belief in supernatural or spiritual beings; 'magic', the use of practices intended to bring occult forces under ...