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Many electric guitar players intentionally overdrive their amplifiers (or insert a "fuzz box") to cause clipping in order to get a desired sound (see guitar distortion).. Some audiophiles believe that the clipping behavior of vacuum tubes with little or no negative feedback is superior to that of transistors, in that vacuum tubes clip more gradually than transistors (i.e. soft clipping, and ...
The smallest guitar cabinets have one 6.5" or 8" speaker; these are usually practice amplifier units designed for private practice. Some cabinets designed for rehearsals and small- to mid-size venues contain two 10" or 12" speakers. Another popular format is four 10" or four 12" speakers. Some performers use two 4x10" or 4x12" cabinets. The ...
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
A tone stack is a specialized type of audio filter incorporated into the circuit of an audio amplifier to alter its frequency response. The term is primarily used in reference to instrument amplifiers such as guitar amplifiers. [1] Guitars can produce sounds from 80Hz up to 1KHz, while guitar amps produce very little sound above around 5KHz.
Sound reinforcement in a large format system typically involves a signal path that starts with the signal inputs, which may be instrument pickups (on an electric guitar or electric bass) or a microphone that a vocalist is singing into or a microphone placed in front of an instrument or guitar amplifier.
The Princeton was a small six watt amp with an 8" Jensen field-coil speaker. This amp had no controls as it was designed for the guitar to solely control the volume and was simply turned on by plugging/unplugging into the wall plug. The Deluxe was a larger amp with a Jensen 10” field-coil speaker and five tubes in a 14-watt design.
Equalization may also be used to eliminate or reduce unwanted sounds (e.g., low-frequency hum coming from a guitar amplifier), make certain instruments or voices more (or less) prominent, enhance particular aspects of an instrument's tone, or combat feedback (howling) in a public address system.
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