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The Japanese raccoon dog (Nyctereutes viverrinus), [1] also known by its Japanese name tanuki (Japanese: 狸, タヌキ), [2] is a species of canid endemic to Japan. It is one of two species in the genus Nyctereutes, alongside the common raccoon dog (N. procyonoides), [3] of which it was traditionally thought to be a subspecies (Nyctereutes procyonoides viverrinus).
Pom Poko (Japanese: 平成狸合戦ぽんぽこ, Hepburn: Heisei Tanuki Gassen Ponpoko, lit. ' Heisei-era Raccoon Dog War Ponpoko ') is a 1994 Japanese animated fantasy film written and directed by Isao Takahata, animated by Studio Ghibli for Tokuma Shoten, Nippon Television Network and Hakuhodo, and distributed by Toho.
Mujina is an old Japanese term primarily referring to the Japanese badger, but traditionally to the Japanese raccoon dog , causing confusion. [1] [2] Adding to the confusion, it may also refer to the introduced masked palm civet [citation needed], and in some regions badger-like animals or Japanese raccoon dog are also called mami.
Taxidermy of a Japanese raccoon dog, wearing waraji on its feet: This tanuki is displayed in a Buddhist temple in Japan, in the area of the folktale "Bunbuku Chagama".. The earliest appearance of the bake-danuki in literature, in the chapter about Empress Suiko in the Nihon Shoki, written during the Nara period, is the passages "in two months of spring, there are tanuki in the country of Mutsu ...
Annual Swedish and Danish common raccoon dog hunts usually result in the capture of two to seven individuals. Between 18,000 and 70,000 Japanese raccoon dogs were killed in Japan from the post-WWII period to 1982. Japan intensified its common raccoon dog culling starting in the 1970s, averaging 4,529 kills annually between 1990 and 1998.
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The Hellboy universe just added a new creepy-crawlie to their list of spooky things to freak you out, a raccoon that skitters into your room while you sleep, and climbs INTO YOUR MOUTH thus ...
On review aggregator Rotten Tomatoes, the film holds an approval rating of 80% based on five reviews, with an average rating of 6.1 out of 10. [4]Mark Kermode of The Guardian wrote "Western audiences may be aware that great swaths of Japanese cultural references are simply washing over them, but the cultural hybridity is so wide ranging that no one could feel utterly excluded from the film's ...
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