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The typical Kyoto machiya is a long wooden home with narrow street frontage, stretching deep into the city block and often containing one or more small courtyard gardens, known as tsuboniwa. Machiya incorporate earthen walls and baked tile roofs, and are typically one, one and a half or two stories high, occasionally stretching to three stories ...
The term tsuboniwa stems from tsubo (坪), a unit of measurement (equal to 1×1 ken, the size of two tatami (flooring and sleeping mats), roughly 3.3 square metres (36 sq ft)), and niwa, meaning "garden". Other spellings of tsubo-niwa translate to "container garden", and a tsubo-niwa may differ in size from the tsubo unit of measurement. [1]
In traditional Japanese architecture, there are various styles, features and techniques unique to Japan in each period and use, such as residence, castle, Buddhist temple and Shinto shrine. On the other hand, especially in ancient times, it was strongly influenced by Chinese culture like other Asian countries, so it has characteristics common ...
Since the shinden-zukuri-style house flourished during the Heian period, houses tended to be furnished and adorned with characteristic art of the era. In front of the moya across the courtyard is a garden with a pond. Water runs from a stream (yarimizu 遣水) into a large pond to the south of the
Minka (Japanese: 民家, lit. "folk houses") are vernacular houses constructed in any one of several traditional Japanese building styles. In the context of the four divisions of society, Minka were the dwellings of farmers, artisans, and merchants (i.e., the three non-samurai castes). [1]
Nagaya (長屋, "longhouse") is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [1] Nagaya was a long housing complex under the same ridge, one or two stories high, divided into small compartments for rent. The well, toilet and waste facilities were shared. Except for a bedroom, each household only had a ...
MoMA initiated their series of "House in the Garden" exhibitions in the courtyard of the Museum in 1949. Architectural director Philip Johnson and curator Arthur Drexler recognized the correspondence between modernism in the Western house and traditional Japanese architecture and proposed to build a Japanese house as the third exhibit of the series.
Additionally, advertisements quote the sizes of the rooms—most importantly, the living room—with measurements in tatami mats (jō (畳) in Japanese), traditional mats woven from rice straw that are standard sizes: 176 by 88 cm (69 by 35 in) in the Tokyo region and 191 cm by 95.5 cm in western Japan. "2DK; one six-tatami Japanese-style room ...
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