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The contrabassoon is a very deep-sounding woodwind instrument that plays in the same sub-bass register as the tuba, double bass, or contrabass clarinet.It has a sounding range beginning at B ♭ 0 (or A 0, on some instruments) and extending up over three octaves to D 4, though the highest fourth is rarely scored for.
B ♭ 3: A flûte d'amour A 3: Alto flute: G 3: Bass flute: C 3: Contra-alto flute G 2: Contrabass flute C 2: Subcontrabass flute G 1: F subcontrabass flute F 1: Double contrabass flute C 1: Hyperbass flute C 0: Glockenspiel: C 6: Guitar Guitar: C 3: Handbells: C 5: Hardanger Fiddle: D 4: Horn Marching horn: B ♭ 3: Horn: F 3: Mellophone ...
Some instruments are constructed in a variety of sizes, with the larger versions having a lower range than the smaller ones. Common examples are clarinets (the high E ♭ clarinet, soprano instruments in C, B ♭ and A, the alto in E ♭, and the bass in B ♭), flutes (the piccolo, transposing at the octave, the standard concert-pitch flute, and the alto flute in G), saxophones (in several ...
The contra-alto clarinet is higher-pitched than the contrabass and is pitched in the key of E ♭ rather than B ♭.The unhyphenated form "contra alto clarinet" is also sometimes used, as is "contralto clarinet", but the latter is confusing since the instrument's range is much lower than the contralto vocal range; the more correct term "contra-alto" is meant to convey, by analogy with ...
Sets related by transposition or inversion are said to be transpositionally related or inversionally related, and to belong to the same set class. Since transposition and inversion are isometries of pitch-class space, they preserve the intervallic structure of a set, even if they do not preserve the musical character (i.e. the physical reality ...
The + sign indicates ordinary transposition. Here T o is the transposition corresponding to t o (or o, according to Schuijer); p i,j is the pitch of the ith tone in P belong to the pitch class (set number) j. [3] Allen Forte defines transposition so as to apply to unordered sets of other than twelve pitches:
The contraforte uses a different and wider bore [1] than the contrabassoon to produce a distinct tone; the sound is more even in strength and intonation across registers, remaining quite strong into the high register, unlike a contrabassoon. Also, it lacks the distinct "rattle" of a contrabassoon, although an appropriate reed design can ...
The semi-contrabassoon (also called quint bassoon, semi-contra or half-contra) is a double reed woodwind instrument pitched between the bassoon and the contrabassoon.It is pitched in either F (quint bass) or G (quart bass) a fifth or fourth, respectively, below the bassoon.