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The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by writer William Burroughs .
This is a list of Latin words with derivatives in English (and other modern languages). Ancient orthography did not distinguish between i and j or between u and v. [1] Many modern works distinguish u from v but not i from j. In this article, both distinctions are shown as they are helpful when tracing the origin of English words.
The first version, intended for use against Christian enemies, fired conventional round bullets. The second, intended for use against the Muslim Ottomans, fired square bullets, designed by Kyle Tunis, which were believed to be more damaging and would, according to Puckle's patent , convince the Turks of the "benefits of Christian civilization".
The bull replies that he is indifferent either way and the moral is much the same as in the contemporary Phaedrus. The fable did not become generally known in Britain until a Latin verse translation appeared in Victorian textbooks [ 4 ] and then versions in English fable collections.
Most scholars of Chinese literature are in agreement that "Huang Jiulang" is both criticising and satirising homosexuality in China. Judith T. Zeitlin writes in Historian of the Strange that the story, which "has a fixed penchant for homosexuality", "starts to slip into comedy when as a reward for his devotion he is 'converted' to ...
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The muleta obscures the sword; and as in his earlier work with the cape, the bullfighter uses it to attract the bull in a series of passes, thus demonstrating his control over it. The red color of the muleta is actually irrelevant since bulls are dichromatic, meaning neither the cape nor the muleta color can be accurately discerned by the bull ...
The moral given the story was generally to distrust a foe and hold fast to friends, but in the Syntipas version it was later given a political turn: "This fable shows that the same is true of cities and people: when they are in agreement with one another, they do not allow their enemies to defeat them, but if they refuse to cooperate, it is an ...