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The discography of Jars of Clay, a multi-stylistic American rock and Christian band from Nashville, Tennessee consists of 12 studio albums, 44 singles, 16 extended plays, two major compilation albums, a part-studio, part-live double-album, a live DVD, and several releases of other types.
Jars of Clay is the first full-length studio album by Christian rock group Jars of Clay.It was released on October 24, 1995, by Essential Records.The album was released to commercial and critical acclaim, becoming one of the few Christian albums in the mid-1990s to achieve platinum status.
Jars of Clay performing at The University of Texas at Austin. The band signed with Essential Records and started recording their first full-length studio album, Jars of Clay. Adrian Belew, of progressive rock band King Crimson, heard the band and offered to produce, leading to him producing two songs: "Liquid" and "Flood".
Inland is the eleventh full-length studio album by rock band Jars of Clay, which was released on August 27, 2013, by Gray Matters label. [1] ...
Christmas Songs is the eighth studio album and first Christmas album from Jars of Clay, that was released on October 16, 2007, through Gray Matters/Nettwerk.This is the first ever release from the band through their newly created Gray Matters imprint via Nettwerk Music Group.
The album cover of The Eleventh Hour is a photograph of Seattle taken by Dan Haseltine from a hotel window looking down the Pike Place Market.All of the artwork was created jointly by the band, as the group wanted to put together an album that they had created, after being prompted to produce the album with the departure of Dennis Herring from the producer position before pre-production had begun.
Jars of Clay presents The Shelter is the tenth full-length studio album by rock band Jars of Clay, released October 5, 2010, through Gray Matters Records. Overview [ edit ]
AllMusic said that the album "sees the quartet adopting, in varying degrees, the electronic pop stylings of David Bowie, the Flaming Lips, and MGMT, partially furloughing their live rhythm section in favor of one inspired by the '80s", [1] while JesusFreakHideout said that the album is a "lush collection of pop rock songs with an indie touch that proves to be a well-balanced and solid effort ...
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