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Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
Kvaran was one of a number of Icelandic artists who contributed to a flourishing geometric abstraction movement during the 1950s. Between 1958 and 1970 the structure of his large gouache paintings and pen-and-ink drawings became more relaxed, with straight lines replaced by a more rhythmic interplay of curved and circular shapes.
Ilya Bolotowsky (July 1, 1907 – November 22, 1981) was an early 20th-century Russian-American painter in abstract styles in New York City. His work, a search for philosophical order through visual expression, embraced cubism and geometric abstraction and was influenced by Dutch painter Piet Mondrian.
Suprematism (Russian: супремати́зм) is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors. The term suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on visual depiction of objects. [1]
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
From the movement's inception, artists were incorporating into their work the latest technologies of the Southern California-based engineering and aerospace industries to develop sensuous, light-filled objects. [3] Turrell, who has spread the movement worldwide, summed up its philosophy in saying, "We eat light, drink it in through our skins." [4]
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Henryk Stażewski (pronounced: / s t ə ʒ ɛ f s k iː / STa-zhef-skee; 9 January 1894 – 10 June 1988) was a Polish painter, visual artist and writer.Stażewski has been described as the "father of the Polish avant-garde" and is considered a pivotal figure in the history of constructivism and geometric abstraction in Central and Eastern Europe.
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