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The low-end SG-100 and the P-90 equipped SG-200 appeared during this time, as well as the luxurious SG Pro and SG Deluxe guitars. Vibrato ( tremolo arm ) tailpieces were also introduced as options. In 1972 the design went back to the original style pickguard and rear-mounted controls but with the neck then set further into the body, joining ...
The Gibson EB-3 is a bass guitar introduced in 1961 and discontinued in 1979. It was produced at Gibson's plant in Kalamazoo, MI. [1] It features a slim SG-style body, a short 30.5" scale, and two pickups (a large humbucking pickup in the neck position and a mini-humbucker pickup in the bridge position).
Gibson has used other scale lengths on various models through the years. Gibson's nominal "24.75" in scale length has itself varied, sometimes measuring 24 + 5 ⁄ 8 or 24 + 9 ⁄ 16 inches (625 or 624 mm) depending on the production equipment used. [1] As Gibson necks are not typically interchangeable, this usually goes unnoticed in practice.
The body was styled after the design of the double-cutaway Les Paul Junior, but retained the mahogany neck and body and 30.5" scale length of the Gibson EB-1. It was available in cherry red only. This version of the EB-0 remained in production until 1961, after which the body was redesigned to resemble the Gibson SG [3] (like the contemporary ...
The SG Melody Maker alongside the rest of the SG line was discontinued and replaced by the short-lived SG 100, 200 and 250 of 1972, quickly replaced by the more traditional SG I, II, and III. In 1974-75 Gibson finally moved to the much more cost-efficient bolt-on necks with the Gibson Marauder and then the Gibson Sonex of the 80s.
The scale of a bass is defined as the length of the freely oscillating strings between the nut and the bridge saddles. On a modern 4-string bass guitar, 30" (76 cm) or less is considered short scale, 32" (81 cm) medium scale, 34" (86 cm) standard or long scale and 35" (89 cm) extra-long scale. [7]
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The EB-1 had a solid mahogany body finished with a brown stain, and a raised pickguard, which was originally colored brown to more closely match the color of the body. It had a 30.5" scale [1] set neck—rather than the 34" scale of the Fender Precision Bass or the 41.5" scale of the 3/4-sized upright bass favored by many upright bassists of the time.
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