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2. LosslessCut - Wikipedia

   en.wikipedia.org/wiki/LosslessCut

   LosslessCut is a free, platform independent video editing software, which supports numerous audio, video and container formats. [4] [5] It is a graphical user interface, with MacOS, [6] Windows [7] and Linux [8] support, using the FFmpeg multimedia framework. The software focuses on the lossless editing of the video files. [9]

3. H.264/MPEG-4 AVC products and implementations - Wikipedia

   en.wikipedia.org/wiki/H.264/MPEG-4_AVC_products...

   In latest version of Adobe Premiere Elements 7 and Premiere Pro CS4 (both shipped in 2008), both source-video and video-export (to Blu-ray Disc) support H.264. Apple integrated H.264 support into Mac OS X v10.4 "Tiger" and QuickTime 7. The encoder conforms to Main Profile and the decoder supports Constrained Baseline and most of Main Profile. [1]

4. DNxHR codec - Wikipedia

   en.wikipedia.org/wiki/DNxHR_codec

   DNxHR HQX - High Quality (12-bit 4:2:2) (UHD/4K Broadcast-quality delivery) DNxHR 444 - Finishing Quality (12-bit 4:4:4) (Cinema-quality delivery) Bandwidth requirements for the codec and its different flavors have been announced in the "Avid High Resolution Workflows Guide - December 2014" on page 166-172.

5. Apple ProRes - Wikipedia

   en.wikipedia.org/wiki/Apple_ProRes

   Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K.It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. [1]

6. AVCHD - Wikipedia

   en.wikipedia.org/wiki/AVCHD

   Until the advent of AVCHD Progressive mode, native progressive-scan video for 1080-line resolution had been available only in 24 frames/s variant. In 2010, Panasonic introduced a new lineup of consumer AVCHD camcorders with 1080-line 50p/60p progressive-scan mode (frame rate depending on region). [ 13 ]

7. Comparison of video codecs - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_video_codecs

   The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.