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Published in 1974, Western Attitudes Toward Death from the Middle Ages to the Present was French historian Philippe Ariès's first major publication on the subject of death. Ariès was well known for his work as a medievalist and a historian of the family , but the history of death was the subject of his work in his last decade of scholarly life.
The origin of death is a theme in the myths of many cultures. Death is a universal feature of human life, so stories about its origin appear to be universal in human cultures. [1] As such it is a type of origin myth, a myth that describes the origin of some feature of the natural or social world. No one type of these myths is universal, but ...
But with unresolved questions about himself, his job, and his loving but adulterous wife, Sally, he soon finds himself immersed in the deeper waters of middle-class revolution originating from the gated community of Chelsea Marina, [3] an upper middle-class enclave of salaried professionals.
Similarities have been noted with a folktale from the Ryukyu Islands, in which the moon god decides to give man the water of life (Miyako: sïlimizï), and serpents the water of death (sïnimizï). However, the person entrusted with carrying the pails down to Earth gets tired and takes a break, and a serpent bathes in the water of life ...
[2] Death education honors death by educating about death, dying, and bereavement to enrich personal lives, inform and guide individuals in their transactions with society, prepare individuals for their public roles as citizens, help prepare and support individuals in their professional and vocational roles, and lastly to enhance the ability of ...
A distinctive middle class lifestyle developed which influenced what was valued by society as a whole. Increased importance was placed on the value of the family and a private home. Women had limited legal rights in most areas of life and were expected to focus on domestic matters relying on men as breadwinners. Whilst parental authority was ...
Fussell argues that the American middle class has experienced "prole drift" dragging it downward and effectively joining it to the proletarian class. Whereas a university education used to be rarer and a clear class divider separating middles from the high school education of proles, Fussell reports that the vast proliferation of hundreds of mediocre "universities" in the U.S. has rendered ...
Inspired by the Black Death, The Dance of Death, or Danse Macabre, an allegory on the universality of death, was a common painting motif in the late medieval period. There are no exact figures for the death toll; the rate varied widely by locality. Urban centers with higher populations suffered longer periods of abnormal mortality. [126]