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  2. No. 6 (Yellow, White, Blue over Yellow on Gray) - Wikipedia

    en.wikipedia.org/wiki/No._6_(Yellow,_White,_Blue...

    No. 6 (Yellow, White, Blue over Yellow on Gray) is a 1954 oil on canvas painting in a color field style by Latvian-born American artist Mark Rothko created in 1954. After his experiments with mythological themes and Surrealism to express tragedy he turned to depicting irregular and painterly rectangular regions of color.

  3. Ronald Davis - Wikipedia

    en.wikipedia.org/wiki/Ronald_Davis

    Ronald "Ron" Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, [1] [2] hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions.

  4. Mark Rothko - Wikipedia

    en.wikipedia.org/wiki/Mark_Rothko

    Mark Rothko (/ ˈ r ɒ θ k oʊ / ROTH-koh; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970) was a Latvian American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.

  5. List of works in stained glass by John Piper - Wikipedia

    en.wikipedia.org/wiki/List_of_works_in_stained...

    Large rectangular semi-abstract design consisting of seven individual panes of glass that collectively portray the Sea of Galilee set against rectangles and circles in varying shades of blue from light to dark. In the detail are aquatic depictions of swirling water, foam and fish, picked out in black and white line.

  6. Shaped canvas - Wikipedia

    en.wikipedia.org/wiki/Shaped_canvas

    Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. [1]

  7. Ed Clark (artist) - Wikipedia

    en.wikipedia.org/wiki/Ed_Clark_(artist)

    Especially later when he placed the canvas on the floor, the broom in Clark’s hands spread color in wide, often horizontal swaths that spoke of energy and speed. [1] [3] He called it his “big sweep.” [6] From oils in his early years, he moved on to brilliant acrylics on large canvases, and softer, quieter dry pigments on paper. [7]

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