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Brownhills alphabet plate, Aesop's Fables series, The Fox and the Grapes c. 1880. Sharpe's limerick versions of Aesop's fables appeared in 1887. This was in a magnificently hand-produced Arts and Crafts Movement edition, The Baby's Own Aesop: being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. [94]
Aesop (/ ˈ iː s ɒ p / EE-sop or / ˈ eɪ s ɒ p / AY-sop; Ancient Greek: Αἴσωπος, Aísōpos; c. 620–564 BCE; formerly rendered as Æsop) was a Greek fabulist and storyteller credited with a number of fables now collectively known as Aesop's Fables.
Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin; The Astrologer who Fell into a Well; The Bald Man and the Fly; The Bear and the Travelers; The Beaver; The Belly and the Other Members; The Bird-catcher and the Blackbird ...
Andre Asriel, Der Fuchs und die Trauben, the fourth of his 6 Fabeln nach Aesop for mixed a cappella voices (1972). [35] Bob Chilcott, among the five English translations in his Aesop's Fables for piano and choir (2008). [36] Lefteris Kordis, the eighth of nine compositions for octet and voice in his "Aesop Project" (2010). [37]
There have also been several verbal settings of Aesop's fable: By W. Langton Williams (c. 1832–1896) in his Aesop's Fables, versified & arranged for the piano forte (London, 1890) [34] In Aesop's Fables Interpreted Through Music for voice and piano (New York, 1920) by Mabel Wood Hill (1870–1954). In this the moral stated is that "Plodding ...
Most of these followed the fable's original Greek source in giving it the moral that acquaintance overcomes fear. When it appeared in emblem books, however, it was as an illustration of how difficult things become easy with practice, but after its appearance in Samuel Croxall's The Fables of Aesop in 1722, the story was given a social ...
The fables are written in choliambic, that is, limping or imperfect iambic verse, having a spondee as the last foot, a meter originally appropriated to scurrilous verse. The style is extremely good, the expression being terse and pointed, the versification correct and elegant, and the construction of the stories is fully equal to that in the ...
Samuel Croxall was born in 1688 or 1689 at Walton on Thames, where his father (also called Samuel) was vicar and baptized on 4 february 1689 at the same town. [2] He was educated at Eton and at St John's College, Cambridge, where he took his B.A. in 1711 and entered holy orders. [3]
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