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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
During the 1990s, he toured with the musical Rent, playing guitar and keyboards. [3] He also recorded with the Bill Perry Blues Band, [6] and toured as part of blues musician Bobby Kyle's band. [2] [5] He released three albums in the 2000s, David Bennett Cohen at the Piano, In the Pocket, and Cookin' With Cohen. [3]
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [ 14 ]
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A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
In 2010, the Blues Foundation inducted Broonzy's rendition into the Blues Hall of Fame. [4] "Key to the Highway" has been recorded by numerous blues and other artists. [9] It was one of the songs played at Duane Allman's 1971 funeral in Macon, Georgia. [10] In 2024, Jazz Gillum's version was inducted to the Blues Hall of Fame. [11]
"See See Rider" is a traditional song that may have originated on the black vaudeville circuit. It is similar to "Poor Boy Blues" as performed by Ramblin' Thomas. [3]Jelly Roll Morton recollected hearing the song as a young boy sometime after 1901 in New Orleans, Louisiana, when he performed with a spiritual quartet that played at funerals.