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Tchaikovsky's 1812 Overture is a sonata form in E-flat minor framed by an extended introduction and a long coda, both in E-flat major. Janáček's Piano Sonata, 1. X. 1905, arguably his best-known work for the piano, is in E-flat minor. Earlier piano sonatas in the key are the Grand Sonata, Op. 3/1 by George Pinto and the Piano Sonata by Paul ...
Download as PDF; Printable version; In other projects ... Pages in category "Compositions in E-flat minor" ... Piano Quintet (Hummel) Piano Sonata (Barber) ...
The B section, which starts with the key of E-flat minor, plays a simple melody, then modulates to the original key with the B-flat major scale and then the E-flat major scale, then back to the A section. The second bagatelle, in C major, is the perhaps the second hardest of the set.
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
Download as PDF; Printable version; In other projects Wikidata item; ... E-flat minor, a minor musical key with six flats; Flat-six engine, a type of piston engine
BWV 851a – Prelude in D minor (alternative version of BWV 851, only Prelude) BWV 852 – Prelude and Fugue in E-flat major; BWV 853 – Prelude and Fugue in E-flat minor (The fugue of this work is in D-sharp minor, the enharmonic key of E-flat minor) BWV 854 – Prelude and Fugue in E major; BWV 855 – Prelude and Fugue in E minor
25 Preludes in all major and minor keys, Op. 31: piano 1847 [aj] Major keys ascending chromatically from C alternate with minor keys ascending chromatically from f. There is a final 25th Prayer in C major. [57] [58] Peregrin Feigerl (1803–1877) [59] 24 Etudes or Caprices 2 violins 1847 C5 [n] [60] Charles-Valentin Alkan
The Variations and Fugue for Piano in E ♭ major, Op. 35 are a set of fifteen variations (plus three "bonus" variations) for solo piano composed by Ludwig van Beethoven in 1802. They are commonly referred to as the Eroica Variations because a different set of variations on the opening bass line section were used as the finale of his Symphony ...
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