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Other terms used for this body include body of glory, [2] spirit-body, luciform body, augoeides ('radiant body'), astroeides ('starry or sidereal body'), and celestial body. [ 3 ] The concept derives from the philosophy of Plato : the word 'astral' means 'of the stars'; thus the astral plane consists of the Seven Heavens of the classical planets .
The frontispieces of both Thought-Forms and Man Visible and Invisible [24] contain a table "The meanings of colours" of thought-forms and human aura associated with feelings and emotions, beginning with "High Spirituality" (light blue—in the upper left corner) and ending by "Malice" (black—in the lower right corner), 25 colors in all.
Crowley explains that the most important practices for developing the Body of Light are: [15] 1. The fortification of the Body of Light by the constant use of rituals, by the assumption of god-forms, and by the right use of the Eucharist. 2. The purification and consecration and exaltation of that Body by the use of rituals of invocation. 3.
The body of light is elaborated on according to various Western esoteric, occult, and mystical teachings. Other terms used for this body include body of glory, [29] spirit-body, radiant body, [30] luciform body, augoeides ('radiant'), astroeides ('starry' or 'sidereal body'), and celestial body. [31]
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
Other terms used for this body include body of glory, [9] spirit-body, radiant body, [10] luciform body, augoeides ('radiant'), astroeides ('starry' or 'sidereal body'), and celestial body. [ 11 ] Crowley referred to the augoeides , a Greek term for the body of light, and connected it with 'the Knowledge & Conversation of the Holy Guardian ...
In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism (among other religions), sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last form is often called a mandorla.
Light art or the art of light is generally referring to a visual art form in which (physical) light is the main, if not sole medium of creation. Uses of the term differ drastically in incongruence; definitions, if existing, vary in several aspects.