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The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
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The Sri Chakra Yantra of Tripura Sundari (commonly referred to as Sri Yantra) is a mandala formed by nine interlocking triangles. Four of these triangles are oriented upright, representing Shiva or the masculine principle. Five of these triangles are inverted triangles representing Shakti, the feminine principle.
Acharya Dinkara (1411 CE) described Navapada in Nandyavrata Mandala. Nirvanakalika (c. 11th century) described it but replaced Tapa with Suchi-vidya. [8] Ratnamandira Gani or Acharya Ratnashekhara wrote about the legend of Shripal in Siri-Sirivala-Kaha in Prakrit along with Siddhachakra Puja in 1372 or 1362 CE, the earliest known reference. [9]
Gohonzon (御本尊) is a generic term for a venerated religious object in Japanese Buddhism.It may take the form of a scroll or statuary. The term gohonzon typically refers to the mainstream use of venerated objects within Nichiren Buddhism, referring to the calligraphic paper mandala inscribed by the 13th Japanese Buddhist priest Nichiren to which devotional chanting is directed.